摘要
森子似乎一直都在至少是两线作战 :前者 (如《卡夫卡日记》类的作品 )似乎是战斗在革命的前线 ,甚至构成他的标志性面具 ,而后者才是“合乎于心灵和性情”的个人写作 ,他不张扬 ,不轻谩 ,很好地隐敝在喧嚣的“当代”的面具后面 ,是心灵与语言搏斗、个人经验与当代特征相互契入的“深度描写”。森子的《乡村纪事》在这方面为我们提供了至少一种可能的典范。
Senzi,a poet, appears to have been fighting in at least two frontlines. One seems to be a revolutionary front, which has even become his typical mask. His poems such as Kafuka′s Diaries illustrate this. In the other front the poet quietly and deeply fights, or rather, writes about his heart, soul, experience, his personality and his views of modern society, being not showy or frivolous. Senzi′s poetry collection Country Records provides us an good example to show that.
出处
《平顶山学院学报》
2002年第1期5-8,共4页
Journal of Pingdingshan University
关键词
当代性
文学史事实
面具
技艺
勃拉姆斯
contemporariness
facts in literary history
mask
skill
Brams