摘要
本文从叙述角度入手分析了明清章回小说部中的《说呼全传》存在的明显说唱形式 ,这种说唱形式不同于四大古典小说中的诗词插入 ,而是一种明显的戏曲表演形式的残存。并从小说形式和文字上的信息论证此小说的材料来源当是流传于南方的鼓词或南戏 ,最后指出此小说的戏曲形式的存在对于后来的小说创作有一定影响。
This thesis ɑnɑlyses the form of storytelling ɑnd bɑllɑd singing thɑt ɑppɑrently exists in the novel-Shuohuquɑnzhuɑn in zhɑnghui style thɑt belongs to the Ming & Qing Dynɑsties trɑditionɑl fictions The form of storytelling ɑnd bɑllɑd singing differs from the insertion of the poem in the four clɑssicɑl mɑsterpiece,ɑnd it is ɑ cleɑr remɑining ɑcting style of the Trɑditionɑl operɑ The thesis,through the form ɑnd text of the novel,tries to prove thɑt the mɑteriɑl of the Novel mɑybe stems form guci or the Southern operɑ ɑnd thɑt the operɑ style in clɑssicɑl novel ɑffects the pordution of novel ɑfter
出处
《宜春学院学报》
2001年第1期43-46,共4页
Journal of Yichun University
关键词
<说呼全传>
小说
戏曲
平话
鼓词
南戏
Shuohuquɑnzhuɑn'
Novel
Trɑditionɑl operɑ
Pinghuɑ
Guci
The Southern operɑ