摘要
随着85'新潮艺术的开展,"陌生化"出现在了中国当代艺术之中,并成为架上绘画 艺术追求"现代性"的一种有效语境方式。其具体方式主要有个体化"私人语言"的语境方式、经验 化的语境方式、观念化的语境方式和本士化的语境方式。
Since the New Art Wave in 1985 ,"defamiliarization" appeared in contemporary Chinese arts and served as an effective contextual mode for the modernity of Chinese easel paintings. This mode can be subdivided into the individual " private speech" type, the empirical type, the abstract type and the localized type.
出处
《玉溪师范学院学报》
2004年第11期48-52,共5页
Journal of Yuxi Normal University
关键词
架上绘画
陌生化
现代性
语境方式
easel painting
defamiliarization
modernity
contextual modes
