摘要
在徐坤作品中,其选择的诸如广场、足球、鱼、紫禁城等意象对在这个文化失范、信仰缺失的时代,折射出了女性的生存困境和尴尬境地,这恰是徐坤内心的回应,即张扬女性意识、颠覆男性中心、建构女性的话语体系的深层要求。
In Xu Kun's work, many images she chooses such as "square" ,"football", "fish", and "the forbidden city", refracts women's survival plight and embarrassing position, which is just Xu Kun's response from her inward, that is the requirement on a deeper level to exaggerate the consciousness of women, overthrow the idea regarding men as center, and establish a women's speech system.
出处
《玉溪师范学院学报》
2005年第7期32-35,共4页
Journal of Yuxi Normal University
关键词
徐坤作品
意象
女性
话语体系
Xu Kun's work
image
female
speech system