摘要
唐代笔记杂录、志怪、传奇3种小说形式都符合“流传———记录”的过程,以往的研究大多集中于最后的记录文本,而忽略了中间不可见的流传过程。朝野之间的流传过程本身就是一种集体创作,通过资料的排比钩沉,则此种流传亦遵循着一定的模式,表现出编造附会的一般心理。
he fiction of the Tang dynasty has three forms——literary sketches, ZhiGuai(recording the strange) and romance. All of them follow the process of "spread——record". Previous studies mainly focused on the final text and little attention was paid to the invisible "spread" stage. The process of spreading between the court and the commonalty itself is actually a kind of collective effort in literary creation, which follows a certain pattern and shows the common psychology of invention and false analogy.
出处
《玉溪师范学院学报》
2005年第7期44-47,共4页
Journal of Yuxi Normal University
关键词
笔记杂录
集体创作
流传模式
literary sketches
collective creation
spreading pattern