论柏拉图三位一体的戏剧思想及其对西方戏剧理论的影响

On Plato's drama thoughts about one unity of three objectives and their influence on western drama theories

长期以来,理论界都把亚里士多德的悲剧理论当作西方戏剧理论的起源;实际上,柏拉图关于剧作家、演员和观众三位一体的戏剧思想对亚里士多德的悲剧理论及西方的“表现”派与“体验”派戏剧思想都有很重要的影响;这一戏剧思想主要包括观众的接受心理、演员的表演风格等内容。

For a long time, the Aristotle' s tragedy theory is regarded as the origin of the history of the western drama theory. In fact, the Plato' s drama thought, namely, dramatist, player and audience combined into one unity, has immensely influenced such western drama theories as the Aristotle's drama theory, the 'experience' drama theory and the 'expression' drama theory. It mainly includes receptive psychology of the audicuce, expressing style of the player, and so on.