摘要
作为对"国剧运动"主将余上沅之戏剧美学的再评价,本文主要考察其对西方同期的戏剧 美学的借鉴与整合,充分发掘其戏剧理论中基本被遮蔽的现代性因子,同时也考察其审美趣味 上的潜在偏至,从而为中国当代戏剧美学在东西文化碰撞中的现代性选择提供启示。
This paper, as a re - assessment of the drama aesthetics of YU Shangyuan known as the backbone of 'the Nation's Drama Movement', studies the influence of the contemporary drama aesthetics of Yu' s theory, reveals fully its underlying modem factors, and at the same time, points out the hidden bias in its aesthetic appreciation. The study is done for the purpose of getting inspirations for making current choices in China's modern drama aesthetics during the time when the oriental culture and the western cultu...
出处
《浙江工业大学学报(社会科学版)》
2004年第2期155-159,200,共6页
Journal of Zhejiang University of Technology:Social Sciences
关键词
余上沅
戏剧美学
西方探源
现代评价
Yu Shangyuan
drama aesthetics
western source
roodem evaluation