从《春江舟影》论储望华钢琴音乐的民族化特色

On the nationalized style of Wanghua Chu's Piano Music From Barcarolle

储望华是一位著名的旅澳作曲家、钢琴家,他将自己的音乐实践根植于中华优秀传统文化之中,借鉴西方创作技法并使之民族化,并且将个人独特的创作手法融入其中,突出表现了他作品浓郁的中国民族化风格。《春江舟影》钢琴曲,从它的曲式结构、创作技法、标题性音乐及乐曲所表现的意境和文化等方面来看,这首作品具有的民族性特征,体现了储望华钢琴音乐作品的民族化特色。

Wanghua Chu is a famous composer and pianist. During the time of nearly half of a century when he has been engaged in creating, He has created a large number of outstanding works. In his piano works, he makes himself music plant in soil of Chinese culture deeply, inherits our country traditional culture, draws lessons from the west skill and makes its nationalization while he joins his unique style in it, so that these works reflect its strong Chinese nationalized style.The text as main fact with the piano music ″Barcarolle″ is to describe the national characteristic from the structure of melody, create skill and technique, title music, artistic conception and his culture and so on. In this article, the method of quoting, contrast and for. is analyzed and synthesized, accordant to reflect the national characteristic of this piano music and reveal the nationalized style of his piano works.