道德归罪与自我归罪——论海岩电视言情剧的性别政治

从《一场风花雪月的事》到《玉观音》,在海岩演绎的一个个缠绵悱恻、错综复杂的男女爱情故事中,都深藏着一个人性的“罪与罚”的主题,这种“罪”与“罚”又大多由女性承担,为什么?论文分别从“道德归罪”与女性邪恶原型;“自我归罪”与女性认命心理论述了海岩的电视言情剧所隐含的性别政治。

there has always been the topic of human 'Guilty and Penalization'deeply hidden behind Haiyan's exceedingly touching and complicated love stories,such as 'a Sentimental Story' and 'Jade Kwan- yin',meanwhile,the role of crime and penalization are normally taken by women.Why?This article will attempt to investigate the reasone.It will concern on sexual poltics in Haiyan's melodrama from three points:firstly,moral imputation and model of women depravity,secondly,self- imputation and womer fatalism;thirdly,recognizable politics and women redemption.