摘要
长安与洛阳是唐王朝政治文化中心,在唐诗发展史上处于中心地位。"安史之乱"中,两京仍是诗人停留和关注的中心地带之一,他们的创作成为这一区域文化构成的重要因素。这一时期,两京的诗歌创作呈现出阶段性的特点:一是沦陷时期的诗歌创作;一是收复时期的诗歌创作。这两个阶段的诗歌构成了"安史之乱"中京都诗歌的艺术风貌。
As the cultural and political centre,Chang’an and Luoyang are also the poetry composition center in Tang Dynasty. Poets focus more on Chang’an and Luoyang during Anshi Rebellion and their poetry composition becomes an important factor of culture in this region. Poetry composition in Chang’an and Luoyang during Anshi Rebellion is characterized by division of stages: enemy occupied stage and recovery stage. Poetry composition at the two stages indicates the artistic style of capital poetry during Anshi Rebellion.
出处
《唐都学刊》
2009年第5期26-29,共4页
Tangdu Journal
关键词
'安史之乱'
京都
盛唐诗人
杜甫
王维
Anshi Rebellion
capital
poets in prosperous Tang Dynasty
DU Fu
WANG Wei