试论《水浒传》中的梦幻书写与叙事格局形成之关系

On the Relationship between Illusion Description and Narration Style in Heroes of the Marshes

在《水浒传》叙事格局的有机构成中,梦幻书写成为不可或缺的一部分。借助于对梦幻的书写,叙述者完成了叙事情节的展开和推进,也开拓了叙事空间,形成了叙事张力。小说对梦本身的精心设置使之形成了独立的敞开的叙事空间;小说行文至关键处,常常以梦来完成叙事关键点的过渡。梦幻书写也具备了多重叙事模式,从小说的内在整体性来说,虽然游离于现实事件之外,却与主体内容形成互补,形成文本上的相互配置。讲史文本的纯粹性被小说文本的变异性所取代,这正是梦幻书写的独特意义之所在。

Illusion Description is an indispensible part of narration style in Heroes of the Marshes. With the aid of illusion description,narrators develop narrative plots,broaden narrative space and form narrative tension. Delicate arrangement of dreams forms independent and open narrative space. Dreams help transitions of description in many important places of the novel. Generally speaking,multi-narrative styles of illusions and the principle part of the novel mutually benefit in spite of their separation from events in reality. Replace of purity of historical text by variability of novel text is the distinctive significance of illusion description.