颂诗的流变与诗学意义新解

The Changing of Odic Poems and the New Sense of Poetics

文章纵向上追根溯源,横向上东西对比,较系统地甄别“颂”、“颂诗”的概念内涵、缘起及其演变过程。认为挚虞、刘勰等人对颂诗文体概念界定过于狭窄,给后人留下消极影响和文化后遗症;颂诗与奴隶社会、封建社会、市民社会相对应,分别承载着中国文化的宗庙意识、社稷意识和广场意识。人们又可以通过对颂诗的解读,从中剖析出中国社会历史文化发展的某些规律性的东西。

A systematic distinction of conceptual connotation, cause and changing process of the ode is made by historical and east - west comparisons. The writer holds that the demarcation of odic poem style given by Zhi Yu and Liu Xie is far from adequate in that it leaves behind a negative effect and cultural sequela. Historically, odic poems carry the Chinese cultural consciousness of ancestral temple, state and plaza, corresponding to the societies of slavery, feudalism and burghers.