摘要
关汉卿杂剧具有强烈的斗争色彩和鲜明的爱憎倾向。不过,在某些作品中,关汉卿的主观创作思想往往被程式化与世俗化的戏曲模式所弱化,从而呈现出大众化的、诙谐的、偏重于舞台演出气氛的创作特点。本文即以《谢天香》一剧为例,分析这种现象的具体表现。
Guan Han-qing's operas have a distinctive tendency of love and hate .However, in some of Guan Han-qing's works,the opera style of stylization and s ecularization weekens his subjective ideas to a certain extent.These works have characteristics of popularity、jocularity and performativeness.Based on the case of《Xie Tian_xiang》,the article analyses the concrete manifestations of this p henomenon.
出处
《雁北师范学院学报》
2004年第4期84-87,共4页
Journal of Yanbei Teachers College
关键词
杂剧
程式化
戏曲模式
大众化
Zaju
stylization
opera style
popularization