摘要
对于战后英国小说,在评论家之间存在着一种"主义"之争。在梳理评论家关于战后英国小说的争论及其原因的基础上,本文认为不能断然地把战后小说分为现实主义和实验性两类,它对现实主义传统的回归不是简单地退回,回归的实践在许多情况下都涉及某种程度的实验性,很具有"现代性"或"后现代性"。通过分析战后英国小说家的杰出代表艾丽丝.默多克的小说创作理论和实践,不难看出她的小说中存在着明显的后现代主义特征。
On the postwar scene of English fiction,different critics have different views. Upon analyzing their disputes and reasons,this paper takes Iris Murdoch s fiction as an example to argue for the view that it is over-simplification to divide the postwar English novels into the realistic and the experimental. The postwar "return to realism" is not to return simply back to the tradition. Under most circumstances,the practice of returning is highly experimental,seen as "modern" or even "postmodern". Murdoch s vie...
出处
《当代外语研究》
2010年第1期35-42,共8页
Contemporary Foreign Language Studies
