作者的“读者”维度与文本动力学

Discussing On The Author's Reader Dimension And the Motive Force of Text

20世纪西方现代文论对于作者采取"放逐"的态度,致使作者作为"读者"的一面被遮蔽,本文通过对"读者"的细分发现了作者的"读者"维度,以及这种维度对于文学的承传"经验视野"的意义,并以此为基础,在文学史的视野内,讨论这种"维度"对于文学史动力问题的意义。以此我们发现接受美学与解释学理论对于作为"读者"的作者维面的理论意义。可以说,这是一种反向的思维,当文本内批评以及以读者理解为对象的解释学和接受美学在目前的文化研究面前式微的时候,我们发现,用之来观照作者会产生另一种理论效果以及这种效果对于过去那种"静止"的研究有一种"制动"的意义。

In the 20th century,modern Western literary theory takes'exile'attitude to the author,leading by its'reader'side has been obscured.This article provides the'reader'segment found in the author s'reader'dimension,and that such dimensions significance to pass the'experience perspective'of the literary heritage,and as a basis,in the the field of literary history of vision,this'dimension'has the dynamic function of f literary history.As we have found,the accept theories of aesthetics and hermeneutics are so sign...