摘要
早在古希腊时期哲学家就将艺术与模仿组合在一起作思辨性的考察,柏拉图和亚里士多德分别做出了重要的阐释。这构成了艺术哲学的一大传统,尤其到了现代,模仿更是作为建构现代艺术体系的单一原理而存在,艺术与模仿及美的联系日益紧密。随着艺术形态的变幻,"艺术作为模仿"这一信条也不断被挑战,但是这些并不构成对它的威胁。直到"现成品"艺术出现,才真正取消了模仿统合艺术的地位而存在,然而现成品艺术又重新提出了已经借助模仿解决的艺术与生活之间的关系问题。
Philosophers thought about the combination of art and imitation,which Plato and Aristotle illustrated respectively,since the time of Greek.It forms a tradition of philosophy of art.Especially in modern time,imitation exists as a simple principle of structuring the system of modern art and arts and imitation ties closely with beauty increasingly.With the change of art style,the idea of art as imitation is challenged continually,however,which is not the real threatto the idea.Imitation has the function of uni...
出处
《兰州学刊》
CSSCI
2010年第2期200-203,共4页
关键词
模仿
艺术
杜尚
现成品
imitation
art
Duchamp
readymade