摘要
中国的少数民族题材电影五十多年的艺术创作,也如同整个中国电影的大命脉那样,与中国传统文化有着不可分割的血脉联系。其中有相当多的篇幅和细节描绘了少数民族的日常生活当中的民俗风情,组成一幅幅生动活现的少数民族民间风情画。文章主要对中国少数民族电影当中的民俗化倾向做某些系统归纳和整理,并且进行相应的美学分析,希望能从电影化的文艺民俗学角度,剖析少数民族电影当中丰沛富饶的文化内涵、别致多样的电影镜语表现形态,从而得到一些带有规律性的认知。
The artistic creation of the ethnic minority s movies in China has experienced more than fifty years.Just like the whole lifeline of China s movie,it exists and advances under the control and shroud of the Chinese culture.Quite a few of these movies depict the daily-life folk customs of the local ethnic minority groups,which composes vivid folk pictures of the local ethnic minorities.This thesis mainly summarizes and systematizes the folk-culture trend in such movies,and tries to give them a corresponding a...
出处
《百色学院学报》
2009年第5期38-47,共10页
JOURNAL OF BAISE UNIVERSITY
关键词
少数民族题材电影
民俗文化
movies of ethnic minority group
folk-culture