摘要
有宋一代,社会功利性生命意识和精神功利性生命意识的并存必然使得院画呈现出一种双向糅合的复杂模态,人物画坚守为政治礼教服务的传统,社会功利性生命意识依然强劲。而随着北宋中期日渐强盛的主情写意审美思潮以及随之兴起的文人画风影响,山水画和花鸟画则日益注重发挥其审美怡情作用,呈现出精神功利性生命意识逐步从社会功利性生命意识母体内部剥离的趋势。
The social utilitarianism and spiritual utilitarianism in the Song Dynasty caused a complicated and combined mode of court paintings. The figure painting stuck to the tradition of serving politics and ethics with strong life consciousness of social utilitarianism. Since the middle stage of the Northern Song the lyric aesthetic trend had become stronger and the style of literati painting had risen, which made the landscape painting and flower-and-bird painting focus on its lyric aesthetic function. At the sa...
出处
《青岛科技大学学报(社会科学版)》
2009年第4期81-86,共6页
Journal of Qingdao University of Science and Technology(Social Sciences)
基金
青岛科技大学人文社科基金项目(ZD2006015)
关键词
宋代院画
生命意识
社会功利性
精神功利性
court paintings of the Song Dynasty
the consciousness of life
social utilitarianism
spiritual utilitarianism