摘要
繁盛于魏玛共和时代的德国表现主义艺术在舞蹈世界里展现出最辉煌的瞬间。鲁道夫.拉班和玛丽.魏格曼开拓的表现主义舞蹈,不断追求舞蹈艺术的独立与自由。拉班以德国人特有的严谨和理性,为实现更纯粹的"自由舞蹈"提炼出抽象的身体动作理论,为舞蹈的本体理论研究奠定了坚实基础。魏格曼则在继承拉班舞蹈哲学的同时,进一步深入人性的内在本质,在动荡焦虑的时代氛围中,通过充满迷狂气息的舞蹈意象,为世人寻求新的情感与精神出路。具有鲜明时代与民族特性的德国表现主义舞蹈,在探索德国精神重建之路的同时,又为展现人类普遍的内在人性提供了全新视角,成为西方现代主义艺术舞台上最闪耀夺目的明星之一。
Ausdruckstanz,flourishing in the era of Weimarer Republik,showed its most brilliant moment in the world of dance.German expressive dance,exploited by Rudolf Laban and Mary Wigman,constantly pursued its independence and freedom.With his unique sense of German preciseness and reason,Laban develops abstract body movements theories and provides a solid foundation for the research on dance noumenon.Mary Wigman,while inheriting Laban s dance philosophy,seeks for new outlets of sensibility and spirits by exploring...
出处
《文化艺术研究》
2009年第6期192-201,共10页
Studies in Culture and Art