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中国古代乐律学概述 被引量:6

Overview of Fundamental Theories of Chinese Ancient Music
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摘要 中国古代的"乐律",最早称"音律",其后亦有"钟律"、"律吕"、"乐典"、"声律"等基本意义相通的称谓。之后又出现了"乐学"、"律学"的学科名称。进入现代社会后又出现了"乐律学"的名称,这就需要对这一学科性质的定位、学科内容的分类作进一步的探讨。 In ancient China,"yuelu" (temperament) was first called "yinlu",and then other names with basically the same meaning also appeared including "zhonglu","lulu","yuedian" and "shenglu".Later on,there appeared terms like "yue xue" and "lu xue" (means "studies on temperament")for these studies.In modern times,a new name "yuelu xue" is invented,and with all these different names,it is necessary to make a clearer definition of the subject as well as a systematization of its coverage.
作者 陈应时
出处 《文化艺术研究》 2009年第6期30-35,共6页 Studies in Culture and Art
关键词 乐律学 fundamental theories of Chinese ancient music sound temperamentology mode rhythm tune score form instrument
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参考文献5

  • 1黄翔鹏.曾侯乙钟、磬铭文乐学体系初探[J].音乐研究,1981(1):24-55. 被引量:114
  • 2刘安等 编著,高诱.淮南子[M]上海古籍出版社,1989.
  • 3(明)朱载〓撰,冯文慈点.律学新说[M]人民音乐出版社,1986.
  • 4中国艺术研究所音乐研究所《中国音乐词典》编辑部.中国音乐词典[M]人民音乐出版社,1984.
  • 5杨荫浏.中国音乐史纲[M]万叶书店,1952.

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