摘要
本文在近代政治风云复杂突变的大背景下,审视源于欧洲的舞台样式话剧在中国的艰苦探索和蝉蜕。通过时称"梨园革命军"的崛起与新剧雏形的粗疏、情节模式上的新进与戏剧思想的滞后、"家庭戏"的雏形和对日本新剧的超越三个方面的阐述,论证了早期话剧最鲜明的文化特色,为话剧研究提供了新的视角。
The article analyzes how stage drama originated from Europe makes an arduous exploration in China and extricates itself against the background of a sudden and complicated change in the modern political situation.Through elaboration from three aspects,namely,the rise of the then so-called "Liyuan Revolutionary Army" and imperfection of New Drama prototype,innovation of plot patterns and lag of dramatic ideology as well as an embryonic form of"Family Drama" and transcendence over Japanese drama,the article de...
出处
《文化艺术研究》
2009年第6期210-216,共7页
Studies in Culture and Art
基金
江西省社会科学"十一五"(2008年)规划项目<叙事学意义的话剧文体特征研究>(项目号:08WX07)的阶段性成果
关键词
早期话剧
时事剧
家庭戏
模型
early drama
play of current affairs
Family Drama
model