摘要
本文以高如星、王云阶、江定仙和雷振邦四位中国电影音乐作曲家为中心,以《柳堡的故事》、《林则徐》、《早春二月》和《冰山上的来客》四部"十七年"时期的中国电影音乐作品为平台,从性质与特点、现实性与功能性、音乐与画面相结合的方式,以及音乐的材料、主题与曲式结构等诸方面,深入分析、研究"十七年"中国电影音乐所取得的显著成绩。
With the four composers Gao Ruxing,Wang Yunjie,Jiang Dingxian and Lei Zhenbang as the focus,the article analyses the music of four Chinese films,i.e.Story of Liu Fort,Lin Zexu,Early Spring in February and Iceberg Visitor,ranging from music s nature and characteristics,its reality and functionality,music and screen combination,to aspects of musical material,themes,structures and forms.The author gives an in-depth analysis of the remarkable results achieved by Chinese film music during the period between 1949...
出处
《音乐艺术(上海音乐学院学报)》
CSSCI
北大核心
2009年第4期79-88,4-5,共12页
Art of Music(Journal of the Shanghai Conservatory of Music)