摘要
80年代中国都市片呈现出“精神流放者”的心态。从对乡村的迷恋、难以割舍,到既肯定认同,又否定拒斥,抱有“内心距离”,再到承认并表述“状态”,其间表征出我国新时期电影都市意识逐步地走向成熟的过程,并成为了80年代那段历史文化的最好见证。
China's Metropolitan Movies in the 1980s took on a sense of attitudes of'Spiritual Expatriates', which went from the intense obsession toward rural area to the coexistence of positive and negative opinions, embracing'Internal Distance', followed by acknowledging and expressing'the Situation', during which the process of the metropolitan consciousness concerning china's movies in new era developed gradually into its maturity and became the most outstanding witness of that specific history and culture in the 1980's.
出处
《新疆艺术学院学报》
2003年第3期48-52,共5页
Journal of Xinjiang Arts University
关键词
中国都市片
都市意识
内心距离
承认'状态'
China' netropolitan movie
Metropolitan consciousness
Internal distance
Expressing 'the situation'