壮族文化生态从依生美到竞生美的过渡——壮族文化生态美研究系列论文之五

Transition of Beauty of Cultural Ecology of Zhuang Nationality from Attached Survival to Competitive Survival——On Ecological Beauty of Zhuang Culture (V)

壮族文化生态有一个从依生美向竞生美过渡的阶段 ,主要表现在壮族的神话传说和铜鼓艺术。壮族关于人与自然斗争的神话传说 ,充分表达了人与自然竞生的愿望 ,但它们只是一种幻想 ,在现实中不可能形成真正的竞生 ,体现的只能是一种悲壮之美。壮族的铜鼓 ,开始体现的是依生与竞生并存 ,神性与人性交织 ,形成了高大厚重而繁缛瑰丽之美。到后来铜鼓的神性因素逐渐消褪 ,人性因素逐渐加强 ,形成一种精巧平实的审美特征 。

There is a transitional period of cultural ecology of Zhuang Nationality, when the ecological beauty ranged from attached survival to competitive survival.The beauty is mainly shown in the mythical legends and bronze-drum arts of Zhuang Group.Those myths of struggle between human beings and the nature reveal man's desire to fight against the nature. It is, however, just a kind of fantasy, which cannot be real in reality, only to show moving and tragic beauty. At the beginning, Zhuang bronze drums indicated great beauty of co-existence of attached survival and competitive survival, as well as mixture of divine nature and human nature. Later, divine nature of bronze drums faded gradually while human nature became stronger and stronger, developing an appreciation of the beautiful, which shows transitional beauty of the cultural ecology of Zhuang Nationality from attached survival to competitive survival.