摘要
村上春树在作品中随处可见的音乐痕迹早已说明:语言和音响在表现形态上有着某种一致性,音乐本身含有只可意会的精神内容,能提供给文字更多的想象因素。村上的作品中,音乐已成为一种美学符号而存在着。
The music traces which can be seen everywhere in Haruki Murakami's works show that there's some identity between language and acoustics in expression. Music itself has something spiritual which can only be sensed, and it can provide more imaginary elements for writing. In Haruki Murakami s works music has already existed as a symbol of aesthetics.
出处
《扬州教育学院学报》
2003年第2期48-50,65,共4页
Journal of Yangzhou College of Education