《雷雨》早期接受史中的错位现象

On Misreading of Thunderstorm in the EarlyHistory of Reception

该文主要探讨《雷雨》早期接受史上作者本意与接受者理解之间的错位现象 ,认为这种错位可以归结为生存论 /神秘主义视界与现世理性主义视界之间的错位 ,它同时也表现为“祛除巫魅”的现代性与广义的浪漫主义现代性 ,以及“诗”与“社会问题剧”之间的错位。并指出曹禺的生存论 /神秘主义视界不仅是其艺术个性和艺术力量的根本 ,而且具有独特的社会批判功能。

This paper mainly discusses the misreading of Thunderstorm in the early history of reception and opines that the misreading could be regarded as the rub between the vision of Worldly_rationalism and the wivsion of reanscend_romanticisrm and argued that the vision of translend_romanticism is the essential of Caoyu's artistic power and artistic individuality.