摘要
汤显祖《牡丹亭·圆驾》写了杜丽娘、柳梦梅的团圆 ,但这是不了了之的团圆、荒诞的团圆 ,其独特结局的形成 ,与明代中期开始的审美情趣的发展有关 ,也反映了汤显祖创作思想的矛盾。本文对深入研究汤显祖的创作思想 。
Reunion on Peony Pavilion'by Tang Xian zu tells us a story about a reunion between Du Li niang,and Liu meng Mei,which is ungenuine and fantastical;its unique ending was involved in the aesthetic temperament in the middle of Ming dynasty,which also reflected Tang Xian zu's contradiction in opera creating idea.The paper is undoubtly meaningful in further probing into Tang Xian zu's opera creating idea.
出处
《三明学院学报》
2002年第4期118-121,共4页
Journal of Sanming University
关键词
大团圆
情与理
荒诞
reunion
emotion and senses
fantasticality
