理性意识:中西影像文化的磨合

Rational Awareness: The Mutual Adjustment of the Chinese and Western Film and TV Cultures

理性意识是个宽泛性、边缘性的学理概念。20世纪80年代,谢晋率先推出一批禀赋新理性精神的佳作。尔后,第五、六代导演群族相继推出一批具有新理性精神的作品。它与30年代以费穆为代表的彼时导演群执著追求理性意识、诗学品格以及西方各类电影学派所倡导的各种理性意识,都有不同程度的磨合关系。

In the 1980s, Xie Jin was the first among directors to have produced a number of excellentmovies endowed with the new rational spirit. Thereafter, the fifth and sixth generations of the 'race group' of direc-tors produced one after another movies with the new rational spirit. This rational spirit reflected an adjustment withthat of the directors in the 1939s represented by Fei Mu. Directors of the 1930s strove persistently for obtaining a ra-tional awareness as well as an aesthetical quality and style. This rational spirit also reflected an adjustment with thevarious kinds of rational awareness advocated by the various schools of the movie art in the West.