晚清末期的文学行旅与女性形象

The Female's Figures in the Travel Works in Late Qing Period

晚清末期的小说创作呈现出一个醒目的共同倾向,即作者们不约而同地在行旅书写中将自己的理想赋予女性形象之上,以极大的热情为她们添加光彩,演绎神话。这一创作倾向有几种书写模式:或为行旅书写中的萍水相逢的女性形象;或本身即为行旅叙事的主人公;晚清末期的行旅书写中的女主角,还有另一种情形,她们没有被过分突出新旧学问的闪亮光彩,但或忠贞得有些匪夷所思,或"淫荡"得令人瞠目结舌,她们以矛盾的身姿共同冲撞着传统伦理中最敏感的环节——节烈观。这些模式开启了新的书写女性形象的范式,诠释着转折时代的风貌与意义。在此种倾向演为风潮之际,传统文学的脉络迅速式微,现代中国文学的种种重要命题与矛盾亦于此奠基。

There was a striking common tendency of the novels in late Qing period that the writers gave invariably his ideal on female images in their travel works that they created myths with wonderful female figures by their great enthusiasm.There were several models,such as the images of women meeting by chance,or the main figures of the travel.Some were incredible loyalty but some were staggering'lewd'without related to the old and new knowledge in contradiction with the most sensitive part of the traditional ethi...