所谓伊人,在水一方——诗意花鸟画之含蓄美

She is on the Waterfront——Implicit Beauty of Poetic Flower-and-Bird Paintings

数千年的发展,中国古典诗词与花鸟画早已绾结在一起,它们互相借鉴,相得益彰。因此,本文打破艺术门类研究中经常存在的相对封闭的状态,将视点放到古诗词与花鸟画之间的内在联系上,通过两者的比较研究,对它们在含蓄美追求上的趋同性,以及相似的艺术审美特征和规律等进行了较全面的梳理。意在剖析诗意花鸟画的美学特征,打通艺术和人生之间的通道,到艺术之中寻找中国人特有的人生智慧。

After thousands of years of development,Chinese classical poetry have already mingled with Flower-and-Bird paintings; they learn from each other,complement each other. Therefore,we should break the close state of art study,and focus on the interior relation between classical poetry and Flower-and-Bird paintings. Through the comparison of them,we can sort out their similarities in pursuing implicit beauty,in aesthetic characteristics,and the laws of art. It is intended to analyze the aesthetic characteristic...