摘要
本文主要采用文化分析方法 ,在前人充分考证的基础上 ,分析了《红楼梦》“梦”的观念内涵。作者自称“大旨谈情” ,并不表明作者试图对情理关系进行观念性的历史性反拨。“情”是古典哲学特别是宋明理学的核心概念之一 ,在中国古典哲学和伦理学体系里 ,它是与“理”相对的概念。《红楼梦》所言之情包括两个方面 :一是家国之情 ,另一是儿女之情 ,作家的创作本旨在于“说梦” ,因此所谓家国之梦、儿女情梦具体而言是一场“情梦”。
Based on the abundant research of the fore generation, the present author, by cultural analysis, explores into the intension of the author of Red Mansion, it being self-claimed as 'mainly on sentiments', conclusion that the so-called A Talk of Dream had been intended, to be more exact, to Elaborate on a dream of sentiments, including mainly two parts sentiments over homeland and worldly love. Yet ,it is not necessarily concluded that the author of the Dream had planned to make historic efforts to set straight the notion of sense and sentiment, which, though, are contradictory concepts in Chinese classic philosophy and ethnics.
出处
《闽江学院学报》
2001年第6期16-20,共5页
Journal of Minjiang University
关键词
创作本旨
理
情
The rational intension
Sense
Sense sentiment