摘要
中国书法艺术在其诞生之日起 ,就已建构起了伦理道德的精神框架 ,在其漫长的发展过程中 ,不断扩大自己的这种精神内涵 ,从而形成一个庞大的形而上学体系。因而书法艺术的本质已超越了写字本身的艺术涵义 ,而在于这种艺术所承载的形而上学意义。
Since the birth of Chinese calligraphy art, the spiritual frame of ethics had been established. During a very long time of development, this spiritual substance was kept widening to form a colossal Metaphysics system. Thus, the nature of calligraphy art has over stepped handwriting's own art sense, instead, it is the metaphysics sense conveyed by this art.
出处
《闽江学院学报》
2001年第6期86-88,共3页
Journal of Minjiang University