能指的游移与视觉化呈现——心理学电影的流变与传播范式分析

Moving of the Signifier and Visual Representation——Analysis of the Evolution of Psychology Movies and Prevalence Model

近百年来,心理学电影以其独树一帜的艺术创作理念和卓尔不群的视觉呈现效果在世界电影发展史上具有独特的意义。心理学电影以其艺术符号,对能指与所指固有联系界线实现超越,对人类潜意识进行视觉化呈现。心理学电影在艺术与商业之间博弈,经历了纯艺术作品、艺术欣赏品、电影艺术品三个发展阶段,形成了融符号学、结构主义、叙事学的艺术创作范式,以及与受众达成潜心理、共鸣性、间离化的接受美学范式。

In the recent century,the psychology movie has unique significance in the world movie development history with its unique art creation concept and distinguished visual representation effect.The psychology movies break the boundary of the intrinsic link between the signified and signifier with its art symbol,and visualize the subconsciousness.Wandering between art and commerce,the psychology movies experience three phases of pure artistic creation,artistic appreciation and the art of movie,and form the artistic creation model including semiotics,structuralism and narration as well as the reception aesthetics model of subconscious,resonance and alienation.