摘要
随着时代前进,近代江苏花鸟画在发展的过程中,由于历史的原因,大环境的影响,江苏花鸟画也曾一度受到压制,处于停滞状态。但伴随着徐悲鸿、刘海粟在南京的高校教学的展开,江苏的花鸟画又有了新的面貌。刘、徐都曾求学西方,有着极强的西学基础,又都是现代美术教育的奠基人,他们的画融古今中外技法于一炉而又有其独特风格。给当时的江苏乃至中国画坛带来了清新、有力、刚劲的气息。
With the advancement of times,Jiangsu flower-and-bird painting had ever been confined because of certain historical reasons and the major environment impact.However,with teaching in college by Xu Bei-hong and Liu Hai-su,Jiangsu flower-and-bird painting had taken on a new look.The contemporary figures,such as Xu Beihong and Liu Haisu,had ever gone abroad for study,which laid a solid foundation for western study and they are founders of Modern Art Education.Their paintings show unique styles by integrating Chinese skills and Western ones.These styles brought fresh,powerful and strong tinge to Chinese painting field at that time.
出处
《佳木斯教育学院学报》
2011年第1期72-73,共2页
Journal of Jiamusi Education Institute
关键词
江苏
花鸟画
传承
发展
Jiangsu
flower-and-bird painting
heritage
development