摘要
"四声"一词最早出现于中国古代传统音乐理论中,早在先秦两汉就有关于乐律"四声"的讨论,沈约声律"四声"理论同乐律"四声"有着相同的文化渊源,并存在一定的对应关系。永明声律说中以四声作文的主张与传统音乐学"五声杂比"为乐的理论及方法非常接近,永明体平仄病犯等理论同乐论中"同声"、"异音"等理论亦相类似。由此可见,中国古代音乐理论是永明声律说最直接的来源。
The term 'Four Tones' first appeared in musical theories and was discussed in pre-Qin to Han period. Shen Yue's Four Tone Theory and the musical 'Four Tones' shared the same cultural origin and correspondence can be found between them. Yong Ming Theory's Four Tone composition was similar to pentatonic scale of musicology. Its theory on Ping Ze was similar to musical theories of harmony and variations. Yong Ming Theory originated from ancient Chinese musical theories.
出处
《玉溪师范学院学报》
2010年第3期24-28,共5页
Journal of Yuxi Normal University
关键词
永明体
古代音乐理论
声律
Yong Ming Theory
ancient Chinese musical theory
tone
