“冷漠”叙述者的“镜城突围”——《长恨歌》的女性主义叙事学解读

The Indifferent Narrator in Changhenge:A Literature Review Study

王安忆《长恨歌》的零聚焦叙事对叙事内容有选择的"偏爱",以及叙述者对话语和结构进行的"控制情绪"的干预,使文本获得一种对女性生活描写的客观化效果,由此也获得了女性作家作品在主流社会的话语权,同时也为女性小说创作提出了一种可供借鉴的形式。

In Changhenge,the narrative contents through zero focalization are chosen purposely by the author,and the narrator makes interventions in character's utterances and the narrative structure in order to create and control mood.These techniques have successfully objectivized the description of female life in the text and greatly increased the discourse power of female authors,for whom this novel offers a new form of fiction writing.