论“纯诗”理论与“国民文学”的深层悖论

Deep Paradox Between "Pure Poetry" Theory and "National Literature"

20世纪20年代中期"纯诗"理论的提倡者们曾试图指出他们的"纯诗"主张与自"五四"以来的"国民文学"理念并无矛盾。他们的这种辩解固然具有一定理论上的合理性,也反映了他们跻身"新文学"主流、获得"合法性"的强烈愿望,但是,"纯诗"与"国民文学"在语言取向、审美取向、价值取向等诸方面都具有难以规避的深层张力与深层悖论。

The 1920s' advocates of 'Pure Poetry' attempted to prove there was no contradiction between their 'Pure Poetry' and the 'National Literature' which had started since the May Fourth Movement.Their allegations were theoretical right to some extent and showed their wish to be rightly among the mainstream of 'New Literature'.But the language they advocated,the aesthetics they defended,and the values they upheld ran in profound paradox with 'National Literature' ideas.