交互视野下的“文化遗产”与“濒危剧种”

"Cultural Heritage" and "Endangered Opera" In an Alternate View

本文作为对岭南"濒危剧种"研究的理论思考,从交互视野的角度分别考察了"文化遗产"和"濒危剧种"。在"文化遗产"的框架下,我们确定了濒危剧种的历史传承、文化生态、剧目文本、表演音乐、传播交流等等研究路向。反过来,根据濒危剧种的考察,也使我们进一步深化了对"文化遗产"理论的认识,从而拓展了课题的结构框架。这些返身性的认识包括:第一,"文化遗产"的时间属性。"文化遗产"在时间上不仅是一种由过往延续到今天的存在,而且是一种由今天出发而指向过往和未来的存在。第二,"文化遗产"的建构性属性。"遗产"不仅是过去在当下的遗存,也是被当下所建构的;遗产不仅是被继承的,也是被创造的。第三,"文化遗产"的存在属性。"濒危"的事物并不是孤立的存在,而是一种整体化的差异性存在。由此可知,"文化遗产"与"濒危剧种"是交互主体性的。

As a theoretical study on the 'endangered opera' of Lingnan Region,this paper respectively explores 'cultural heritage' and 'endangered opera' with an alternate view.With the framework of 'cultural heritage',we verify the historical inheritance,cultural ecology,opera text,performance music,dissemination and exchange of the endangered opera,on the contrary,according to the investigation of endangered opera,we further understand the theory of 'cultural heritage',and extend the structural framework of the project.These reflective understandings include as follows.The first is the time quality of 'cultural heritage'.Cultural heritage is not only time continuity from the past to the present,but an existence starting from the present to the past and to the future.The second is the constructive quality of 'cultural heritage'.'Heritage' is not only the remains that the past gives to the present,but is constructed by the present;heritage is not only inherited but is created.The third is the existence quality of 'cultural heritage'.The 'endangered' things are not the isolated existence,but an integrated existence of difference.Thus,it may be known that 'cultural heritage' and 'endangered opera' possess a quality of alternate subject.