摘要
南京图书馆藏评点本《鸳水仙缘》为海内孤本。前人对于作者杨云?生卒年的认识均有误,杨云?当生于乾隆二十年(1755),卒于道光四年(1824),其生平事迹亦可根据《娄水琴人集》等文献得到进一步考证。《鸳水仙缘》为杨云?早年作品,系作者目睹朱彝尊妻妹之遗簪有感而作,既是对朱彝尊《风怀诗》本事的演绎,又传达了剧作者的时代感受。在体制上,该剧属于中国古典戏曲发展的新形态南词戏,其板腔体曲体结构标志着中国古典传奇戏曲向近代地方戏曲的蜕变,对研究古典传统戏曲的近代转型具有重要参考价值。
The annotated copy Yuan Shui Xian Yuan(《鸳水仙缘》)in Nanjing Library is the only copy in China.The former researchers made mistakes in the dates of the author Yang Yun-ao's birth and death.In fact,Yang Yun-ao was born in 1755 and died in 1824.His life stories can also be checked according to The Collection of Loushui Qin Ren(《娄水琴人集》)and other documents.Yuan Shui Xian Yuan is his early writing.When he saw Zhu Yi-zun's wife's dead sister's hairpin,he was moved and wrote this drama,which is not only the deduction of the story of Zhu Yi-zun's poem Feng Huai(《风怀诗》),but also the expression of his feeling on the times.This drama's system belongs to the new form of Nan Ci dramas.Its structure is Ban Qiang style(板腔体)which symbolized the transformation from Chinese classical Chuan Qi(传奇)dramas to modern local dramas,and it has an important referential value to study classical traditional dramas'changing to modern modes.
出处
《文化遗产》
CSSCI
2011年第1期57-64,157-158,共8页
Cultural Heritage
