摘要
余秋雨的散文之所以被称为“文化散文” ,是因为它充溢着哲人的思辩、学者的睿智和深厚的文化底蕴 ,尤其在《行者无疆》中 ,废墟作为其特有的审美意象 ,已经从一个个单纯的物质形态成为由人类文明和历史长河不断积淀下来的文化意象 ,成为傲然于物外而又永恒于时空的精神意象。
The reason why Yu Qiuyu's proses is called“cultural proses”is that his proses are brimming over with philosopher's thought,scholars' wise and farsighted and deep cultural implication,especially the Xingzhewujiang,for its special aesthetic images,ruins turns a simple material formation into cultural images accumulated constantly by human civilization and the long process of history,and then becomes the spirit images which is transcendental and eternal in space and time.
出处
《青海民族学院学报(社会科学版)》
2004年第3期106-108,共3页
Journal of Qinghai Nationalities Institute(Social Sciences)
关键词
余秋雨
散文
废墟
审美
意象
Yu Qiuyu
prose
ruins
aesthetic
images