1Patricia Waugh, Practicing Postmodernism, Reading Modernism, London: Edward Arnold, 1992, p. 3.
2M. H. Abrams, The Mirror and the Lamp : Romantic Theory and the Critical Tradition, New York :Oxfont University Press, 1953, p. 161.
3William Long, English Literature: Its History and Its Signifwance for the Life of the English Speaking World, Boston: Ginn & Company, 1941, p. 376.
4Joanne Dobson, Dickinson and Strategies of Reticence: The Women Writers in the Nineteenth-Century America, Bloomington: Indiana University Press, 1989, p. 78.
5Emily Dickinson's Vision: Illness and Identity in Her Poetry, Gainesville: University Press of Florida, 164, Domhnall Mitchell, Emily Dickinson: Monarch of Perception, Amherst: University of Massachusetts Press,2000 , pp. 1-13.
6The Poems of Emily Dickinson (3v). ed. R. W.Franklin, Cambridge: the Belknap Press of Harvard University Press, 1998, pp. 1545 - 1546.
7Amanda Gaily , "How Anthologists Made Dickinson a Tolerable American Woman Writer", The Emily Dickinson Journal, 14. 1. , Academic Research Library (2005),pp. 62 - 83.
8Susan Howe, The Birth-mark: Uttering the Wilderness in American Literary History, Hanover : Wesleyan University Press, 1993, pp. 19 -20.
9Ellen Louis Hart and Martha Nell Smith, Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Dickinson, Ashfield: Paris Press, 1998, p.xvii.
10R. W. Franklin, ed. , The Poerns of Emily Dickinson(3vols), Cambridge: the Belknap Press of Harvard University Press, 1998, p. 27.
