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阿加莎·克里斯蒂侦探小说中会话的独特艺术魅力 被引量:1

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摘要 被誉为"侦探小说女王"的英国侦探小说家阿加莎·克里斯蒂以朴实无华的小说语言向世人展示了侦探小说的神奇和玄妙。会话是阿加莎·克里斯蒂侦探小说的基本要素,也是推动案情发展的重要工具。会话使克里斯蒂侦探小说不仅表现为一种文学形式,还体现了作者和读者之间的智力游戏。本文以《尼罗河上的惨案》为例,从塑造侦探形象和交代情节、误导读者两个角度分析了克里斯蒂侦探小说中会话的独特艺术魅力。
出处 《作家》 北大核心 2010年第4期49-50,共2页 Writer Magazine
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  • 1G. K. Chesterton, "A Defence of Detective Stories", in The Art of Mystery Story : A Collection of Critical Essays, Howard Haycraft ed. (New York: Biblo and Tannen, 1976), p. 6.
  • 2Michel Foucault, Discipline and Punish, Alan Sheridan trans. (London: Alien Lane, Penguin Boods Ltd., 1977),pp. 68- 72.
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  • 6Jacques Lacan: "Seminar on 'The Purloined Letter'", in The Poetics of Murder : Detective Fiction and Literary Theory, Glenn W. Most et al. eds., 1983, pp. 21-54.
  • 7Patricia Merivale, "Gumshoe Gothics: Poe's 'The Man of the Crowd' and His Followers ", in Detecting Texts: The Metaphysical Detctive Story from Poe to Postmodernism, Patricia Merivale and Susan Elizabeth Sweeney eds. (Philadelphia: U of Pennsylvania P, 1999), p. 112.
  • 8Stefano Tani, The Doomed Detective: The Contribution of the Detective to Postmodern American and Italian Fiction (Carbondale: Southern Illinois UP, 1984), p. 40.
  • 9E. M. Wrong, "Tales of Crime and Detection" in The Art of the Mystery Story: A Collection of Critical Essays, Howard Haycraft ed. (New York: Biblo and Tannen, 1976), p. 19.
  • 10Ben Ray Redman, "Decline and Fall of the Whodunit , in The Saturday Review, New York, Vol. XXXV, no. 22, May 31, 1952, 8 页.

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