摘要
当代科学技术的发展引起了当代社会主导媒介形式的变化,而主导媒介形式的变化则又引起了原有艺术生态格局的深刻变化。其中,民族艺术(以中国的少数民族艺术为对象)的创作、传播以及整个活动形式,也不可避免地发生了重大变化,呈现出新的形式与特点:传播时空的开放性与超越性;传播形式的视觉化与复合性;传播取势的复制化与规模化;接受者"人———机"相对的个体化与随机化。
The progress of contemporary science and technology is bringing the change of contemporary society in dominant medium form, and the change of dominant medium form is bringing a profound change in intrinsic art ecologic structure. The creation,dissemination and all activity forms of national art(It means the Chinese minority art) will arise tremendous changes inevitably, a new form of characteristic will appeare. Visual angle nature and complex nature on disseminating form: duplicate nature and scope nature on disseminating state: accepter 'people———machine ' face to face with individualism and randomization. it must be temporized , and individuality mustn't be lost. Is it the proper choice?
出处
《内蒙古大学学报(哲学社会科学版)》
CSSCI
北大核心
2004年第4期70-76,共7页
Journal of Inner Mongolia University(Philosophy and Social Sciences)
关键词
现代媒介
民族艺术传播
文化内涵
美学研究
modern medium
dissemination of national art
culture connotation
aesthetic research