摘要
日本当代作家大江健三郎,因其作品"通过诗意的想象力,创造出一个把现实和神话紧密凝缩在一起的想象世界,描绘出现代的芸芸众生相,给人们带来了冲击"而获得了诺贝尔文学奖。透析大江文学独具魅力的诗化文本语言,解构贯穿其文本语言符号系统中具有普遍意义的"结构"——纵、横轴,以引发本国读者及相关研究者对外国文学创作文本及理论的思考。
The paper makes a thorough investigation on the Textual Language of Ooe Kenzaburo,a modern Japanese writer and a Nobel Prize winner 'who with poetic force creates an imagined world,where life and myth condense to form a disconcerting picture of the human predicament today'.His distinguished poetic language and the Semiotic Structure constructed with vertical and horizontal axes underlying his works have been elaborated in the paper,which is thought-provoking for those who are interested in the foreign literature and foreign literature theory.
出处
《合肥师范学院学报》
2012年第4期116-121,共6页
Journal of Hefei Normal University
基金
安徽高校省级人文社科研究项目"论大江健三郎文本语言符号系统的构造"(2010SK296)
关键词
语言符号
文本
叙事地形学
纵轴
横轴
Linguistic Symbol
Text
Narrative Topography
Vertical Axis
Horizontal Axis