从《文献通考·乐考》的编撰看马端临的音乐美学思想

Analysing Maduanlin's Musical Aesthetics On the Compiling of <Wen Xian Tong Kao'Yue Kao>

《文献通考·乐考》是我国古代音乐通史的典范著作。马端临在继承前人的基础上 ,独创文、献、注相结合的编撰方式 ,并在其编撰过程中对雅乐的本质进行了深刻揭示 ,同时也体现出求真务实、与时俱进、重视规律、推陈出新的音乐美学思想 ,至今仍有其历史和现实的积极意义。

<Wen Xian Tong Kao'Yue Kao>is the model monograph in the general history of the Ancient Chinese music.Based on the studies of the previous generations,Maduanlin invented a unique compiling method in which literature,theory and annotation were organically combined,and made a profound demonstration of the nature of ceremonial music in the course of compilation,which embodied the musical aesthetics,characterized by being practical and realistic,advancing with times,valuing laws and bring forth the new,and which still has the positive historical and current significance.