摘要
李安电影《喜宴》包含两代人的情感交流和对传统的不同态度,以及不同身份的碰撞所蕴涵的隐喻。电影透过"喜宴"这个仪式,排演出传统和现代之间的矛盾危机、妥协与无奈。在一片喜闹剧式的氛围里,编织成中西文化之间的碰撞与交融的一个现代话题。李安的电影既在好莱坞体制化表达程式中进行技术操作,同时又用东方人的观念和审美丰富了好莱坞表达。
Ang Lee's movie 'Wedding Banquet' contains the affective communication and different attitudes towards tradition between two generations,as well as the metaphor implicated in the different identities' collision.The film performs contradiction crisis,compromise and helpless between tradition and modern times.In a comic slapstick atmosphere,a modern topic of Chinese and western cultural collision and fusion is weaved.Ang Lee's film is technically operated with Hollywood institutionalized expression.Meanwhile,it enriches Hollywood's expression with the oriental idea and aesthetic taste.
出处
《吉林艺术学院学报》
2012年第1期46-48,共3页
Journal of Jilin University of Arts
关键词
电影《喜宴》
中西文化
碰撞交融
艺术特色
film 'Wedding Banquet'
Chinese and western cultures
collision and blending
artistic characteristic