亲历者与旁观者:身份转换背景下的叙事流变——论新世纪短篇小说的“文革”叙事

Witnesses and Bystanders:the Narrative Flow Under the Identity Conversion——On the “Cultural Revolution” Narrative of the New Century Novels

新世纪短篇小说中的"文革"书写,比之1970—1980年代的"伤痕"、"反思"小说,无论在叙事技艺还是思想深度方面,都有了极大的变化。其中的变化包括:重新回归短篇小说的文体自觉、身份转换背景下对革命浪漫主义的终结、在背离与超越的同时完善现代主义叙事手法,并且开始追诉"文革"中普通人应该承担的罪责。但新世纪作家思想力的提升,并没有跟上小说技艺日益精湛化的速度。主要表现是:当小说触及到"集体罪行中的个体责任"这一重量级问题时,还缺乏足够的思想穿透力。

The 'Cultural Revolution' writing of the new century novels had the enormous promotion,comparing with 1970-1980’s'scar' and 'reflection' novels,regardless of the narrative skills or depth of thought.In which the changes included the return of style consciousness,the end of revolutionary romanticism under the identity conversion,deviating and surpassing while improving the modernistic narrative techniques,as well as to start examining the guilt that should be beard by the ordinary people in the'Cultural Revolution'.But the ideological progress of this generation writers had not kept pace with its novel skills increasingly superb speed.Mainly,when the novel touched to the weighty issues of individual responsibility in collective crimes,but also lacked the ideological penetration.