摘要
在以往妇女史或性别史的学术阐释中,明清地方书写体系中才女的重现及其数量的增加,喻示着女性地位的提高和社会性别观念的转变。但本文所要呈现的是知识女性的此番回归实则被寄予了更多男权话语规训下的企盼,对她们才华的书写与宣扬,不过是投射一人之边缘处境,满足一族之文化诉求,彰显一地之人杰地灵的需要而已,"颇具弹性和生命力"的儒家社会性别体系并未因此而改变。
In the past academic explication of women history or gender history, the reappearance and increase of talented women in the writing system of local chronicles during Ming and Qing dynasties means the raise of women's status and the shift of social gender concept. Nevertheless, the paper argued that the reappearance was actually placed high hopes under patriarchal discourse discipline. The description and publicity of their talents were just to reflect one person's marginal situation, satisfy one nation's culture requests, demonstrate one place's outstanding people, hence the Confucian social gender system with 'full elasticity and vitality' has not been changed.
出处
《浙江社会科学》
CSSCI
北大核心
2013年第2期140-143,161,共5页
Zhejiang Social Sciences
基金
浙江省2011年地方志系统人才梯队建设课题"明清时期浙江地方志蕴含的性别图景"(11Z2228)研究成果之一
关键词
明清浙江地方志
才女书写
性别观念
Zhejiang local chronicles during Ming and Qing dynasties
description of talented women
gender concept