摘要
《文心雕龙·隐秀》虽为残篇,但其中提出的"隐"论却有深刻的理论渊源。其讨论贯穿于《文心雕龙》整本书的框架体系中,以一一罗列出的十几种不同角度的命题被加以阐释,并大致可以分为作品的思想意义即"复意为工"、作品的言辞意义即"义生文外"、作品的情感意义即"情在词外"三个层次。作为一个问题的不同侧面,它们共同说明了中国文学中最为微妙的艺术表达原则。
Although some contents in The Literary Mind and Carving of Dragons lost,the'metaphor'in it has its deep theoretical origin.The discussion runs through the frame system in the whole book,with a list of dozens of propositions of different angles being explained,which can be divided into three parts of literary works:the ideological significance,'the double meaning';the language meaning,'the theme hiding',and the affective meaning,'the thoughts and feelings in literary works'.From different aspects of a problem,they show the most subtle art expression principle in common.
出处
《大连理工大学学报（社会科学版）》
CSSCI
2013年第3期103-108,共6页
Journal of Dalian University of Technology(Social Sciences)
基金
教育部人文社会科学青年基金项目:"国家建构与两汉文学格局的形成"(12YJC751005)
关键词
“隐”
复意为工
义生文外
情在词外
metaphor
double meaning in literary works
theme hiding in literary works
thoughts and feelings in literary works
