摘要
经过2002—2012年的十年发展,国产大片不仅已成为我国电影产业的支柱,而且在电影美学层面也取得了较大的进步与突破,成绩可谓斐然。然而,国产电影大片所存在的问题同样不可忽视,人文内涵稀薄、艺术崇高感丧失、缺少本土生活质感、艺术质量不高等已成为阻止国产大片进一步发展的根本性症结所在。要正视和解决这些问题,一是自觉服膺健康向上、尚善尚美的电影美学理念,带给观众有益的思想启迪和人性蕴蓄;二是努力建构具有当下性、大众性、富有感召力和生命力的现实主义品格,回归当下生活实感;三是继续坚持题材多样化、审美风格多样化策略,打造独立的中国影像品牌。
After ten-year(2002-2012) development,China's top movies not only become the pillar of Chinese movie industry,but also make great progress and breakthrough in aesthetics. However,problems existing in Chinese movies cannot be neglected,among which are the scarcity of connotation of humanities,the loss of sense of artistic loftiness,lack of nature of domestic life,and low quality of arts. These problems have become obstacles in the further development of China's top movies. To solve those problems,we first should consciously follow healthy film aesthetics that advocate goodness and beauty,and display the implication of human nature to the audience so as to cause them to reflect; secondly we should try to construct the realistic quality of presentness,popularity,charisma and vitality and return to present real life; thirdly we should continuously insist on the strategy of diverse themes and styles and build independent brand of Chinese movies.
出处
《理论学刊》
CSSCI
北大核心
2013年第9期117-122,128,共6页
Theory Journal
关键词
国产大片
人文内涵
现实失语症
当代性
审美品格
China's top movies
connotations of humanities
realistic aphasia
presentness
aesthetic quality